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Upper body ties made easy

Expanding creative shibari through 'ingredients'

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This tutorial demonstrates and further explains 'ingredients' familiar from our other classes, e.g. 'Tying techniques', through a variety of simple 'recipes'. This brings a greater understanding of the engineering and associated aesthetics which develops your creativity safely.

- Two M-shape arm ties
- Two Teppo (rifle bearer) ties
- Teppo with half gote (suspension capable)
- Single choker tie
- Double choker tie
- Floor based suspensions
- Simple high hands gote (takate kote)

You will learn the two main construction techniques used throughout shibari though simple examples: those based on single/double column ties and those using reverse tension. In addition, you will see how different frictions or simple hitches can often be used interchangeably, in the same way culinary ingredients can be substituted, to create your own personalised 'recipes'. This allows you to move beyond simply copying patterns.

Most importantly, through this understanding of function, you should be able to spot your own mistakes, thus being able to tie creatively and safely with confidence. No tie can be performed precisely the same way on everybody. Flexibilities vary, differences in size or shape will mean ropes never run out at the same time, thus a tie almost always needs some adaptation or macramé. Creativity allows you to tie to fit the body, rather than attempting to make the body fit the tie.


Your Instructor


Esinem & Nina Russ
Esinem & Nina Russ

Esinem

Esinem is a Japanese style bondage (shibari/kinbaku) artist who regularly appears at UK and international events such as Pride, Torture Garden, Erotica, Rubber Ball, Wasteland, Boundcon, Nuit Demonia and recently represented the UK at Japan's first international kinbaku event, Toubaku. He is also known for his teaching both in the UK and internationally and as co-organiser of the London Festival of the Art of Japanese Bondage and BOUND, Europe's premier monthly shibari event.

Over the last few years, he has been improving his skills in Japan with the help some of their best known and respected kinbakushi, Arisue Go, Osada SteveKinoko, HajimeKazami Ranki and, grand master of newaza, Yukimura Haruki. Whilst drawing from classical methods, his style is distinctive and epitomizes the art of communicating with rope, often departing from the typical serenity of shibari shows and flying in the face of tradition to produce some striking and unusual performances.

In addition, he has worked on various videos, e.g. Primal Scream's 2013, artistic collaborations and photo shoots both on and off camera. He has been involved in projects providing inspiration for Tom Ford's 2013 collection and, Raqib Shaw, an acclaimed artist who has exhibited at the Tate, Metropolitan and White Cube galleries.

He contributed to Rope, Bondage & Power, edited by Lee Harrington and is currently involved with a number of documentaries on kinbaku. He is also author of the first English language tutorial DVDs: 'Japanese Rope Bondage: Tying people, not parcels' .

Nina Russ

My attraction to bondage started 10 years ago, when I discovered the BDSM community. Until 2 years ago, my exposure to shibari was limited to pictures, videos and discussion. Then, thanks to Stefano Laforgia, rope artist and BDSM educator, who led the first Italian bondage school, Itoh Seiyu; I had the good fortune to become a shibari model and I fell in love with it.

In 2011, at LegArti, a PR exercise in Rome to present shibari, I modelled for Esinem, a very well know name in these circles. After our performance, a beautiful friendship was born and convinced by my passion and ability for rope, he has taken me as his student and model.

Since then I have attended classes with Ranki Kazami and Hajime Kinoko, Yukimura Haruki, all highly respected Japanese nawashi. Of course, being Esinem's model and student, I attend all his lessons and assist with many of them.

My passion for rope has lead to obsessively collecting all sorts of bondage photographs, especially those by my idol, Suguira Norio; his photography features Japan's most respected artists perfectly capturing my vision of kinbaku. Videos of Masato's tutorials, Yukimura's sessions and Osada Steve's stage shows have been a major influence. Of course, my experience as a model has been extremely useful in building an appreciation of exactly how rope should feel and many hours of practice are shaping this into practical application with the help of Esinem. Of course, being one of the organisers of BOUND, the UK's first regular shibari show night, involves a lot of practice on both sides of the rope. I perform internationally, both as a rigger and model, at events which have so far included:

– London Festival of the Art of Japanese Rope Bondage – twice
– Torture Garden (London)
– Fetterati (Madrid)
– Boundcon (Munich)
– Kinky Salon (London)
– Club Rub (London)
– Pedestal (London)
– Rope Fest (St. Petersburg) -twice
– BOUND Shibari Night (London)
– Cirque le soir (London)
– Sh! (London)
– Coco de Mer (London)


Frequently Asked Questions


When does the course start and finish?
The course starts now and runs for a whole month! It is a completely self-paced online course - you decide how fast you go and how much you revise. Subscriptions renew automatically until cancelled.
How long do I have access to the course?
How does a whole month 24/7 sound? After enrolling, you have unlimited access to this course for as long as you like until you cancel - across any and all devices you own.
What if I am unhappy with the course?
We would never want you to be unhappy! If you are unsatisfied with your purchase, contact us in the first 7 days and we will give you a full refund.

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